Schedule: 17 november (Friday)
Days:
Centro Multimeios - Auditorium António Gaio
Guest School: KASK & Conservatorium, Ghent – Belgium – Com Britt Raes, Mai Calon
DANSE MACABRE
Direction: Rune Callewaert | Belgium | 0:03:22 | 2023
During a disturbing night in the ruins of a cathedral, some skeletons come out of their graves to dance in a way that only skeletons can dance. A stop motion essay based on Camille Saint-Saëns’ “dance macabre”.
NIEBLA
Direction: Julian Arias | Belgium | 0:04:22 | 2019
Surrounded by mist you are lost. Time and space vanish, and all that remains are fragments of sound and images, of a story, of a dream or of a memory.
3 WOMEN
Direction: Katchatrian Alisa | Belgium | 0:06:01 | 2020
In a dystopian world, three women share their life paths until they no longer do.
DUTCHGARIA
Direction: Capucine Muller | Belgium | 0:12:23 | 2019
In difficulties with an unknown language and struggling with the locals, follow the adventures of a french girl who just moved in a country called Dutchgaria.
BODY OF EARTH
Direction: Esin Güler | Belgium | 0.04:45 | 2021
“Body of Earth” is a motion graphics project to praise our Planet Earth. The artist wanted to create a graphic style that resembled nature in an abstract way.
ICARUS PROJECT
Direction: Lauren Rolly | Belgium | 0:05:06 | 2022
Scientists walk around in protective suits. They are captivated by different species of birds that roam freely on the research grounds.
LIKE DROPS ON A BED OF EMBER
Direction: Juliette Pons | Belgium | 0:09:00 | 2023
A mesh of brave figurines advances towards cracked lips a grinding smile, a glowing fever the outlines of their shadows oscillate their bodies at rest, pushed forward by an arm fade like drops on a bed of embers
WOULD YOU PLEASE?
Realização: Ada Güvenir | Belgium | 0:04:31 | 2020
A modern day love story, on the right time but in the wrong place.
MELLAN VACÍO
Direction: Noa Bromley | Belgium | 0:04:31 | 2020
A lonely creature in an underground tram station.
HEAD BODY TAIL
Direction: Théo Collie | Belgium | 00:09:00 | 2023
A shadow parade where countless figures march into a chaotic spectacle.
From the Heart of the Balkans: A Creative Journey
Curated by Nikola Majdak, Ana Nedeljkovic – Serbia
The Cake
Direction: Daniel Šuljić | Croatia | 00:08:15 | 2010
A group of people are celebrating, sitting around the table. The celebration cake is served, but unevenly divided among them.
Father
Direction: Ivan Bogdanov | Bulgaria, Croatia | 00:16:07 | 2012
When did you last talk with your father? Will you ever ask him about those things that hurt you?
Demonstration of Brilliance in Four Acts
Direction: Lucija Mrzljak and Morten Tšinakov | Croatia | 00:14:00 | 2018
The people are waiting for someone special. Someone special is born – a grown-up man in a suit. They follow the man and cheer for his theatrical but utterly pointless performances. In the middle of one performance he makes a mistake and the people who have so far adored him, leave. Left alone, he meets a woman who is made for him. The theatrical performances continue…
Remember How I Used to Tide a White Horse
Direction: Ivana Bošnjak Volda and Thomas Johnson Volda | Croatia | | 00:10:00 | 2023
A waitress goes about her daily routine serving coffee whilst having thoughts of escaping her reality. A costumer is constantly recording and listening back to the surrounding sounds of the café and is completely fixated by this task. Apathy is a condition that leads consciousness into stagnation, but do either of them realise that they are themselves examples of this condition?
Musical Traumas
Direction: Miloš Tomić | Serbia | 00:10:00 | 2018
Musical Traumas came to fruition as the result of the director’s obsession with music schools. It is a rhythmic compilation of traumatic, but amusing confessions of former students, as well as an attempt to visualise music with scrumptious, hand-drawn animation. The experiences may be documentary, but the image comes straight from the world of musical impressions.
Untravel
Direction: Nikola Majdak Jr and Ana Nedeljkovic | Serbia | 00:09:00 | 2018
A girl lives in an isolated country, enclosed by a huge wall. She has never traveled anywhere, but all her life she has dreamed of leaving forever for a perfect world called Abroad.
Four Souls of Coyote (M6)
Áron Gauder | Hungary | 01:43:00 | 2023
Synopsis:
Native American teenagers confront an oil pipeline project, down the hill from their ancestral land. The grandfather evokes the tale of Creation, reminding all of us that we need to find our place in the great circle of creatures.
Island
Michael Faust | Israel | 00:07:38 | 2022
Our Uniform
Yegane Moghaddam | Iran | 00:06:30 | 2023
Depersonalization
Spartak Yordanov | Bulgaria | 00:07:07 | 2022
The Garden of Heart
Olivér Hegyi | Hungary | 00:10:32 | 2022
The Time Keeping House
Joana Imaginário | Portugal | 00:12:00 | 2023
Love Me True
Inés Sedan | France | 00:07:40 | 2023
Trace
Asparuh Petrov | Bulgaria | 00:06:42 | 2022
Look
Nuno Amorim | Portugal | 00:11:29 | 2023
Camino
Arevik d’Or | Belgium | 00:03:28 | 2022
Rosemary A.D. (After Dad)
Ethan Barrett | USA | 00:09:38 | 2022
Telsche
Sophie Colfer, Ala Nunu | Poland | 00:08:34 | 2023
Skinned
Joachim Hérissé | France | 00:15:00 | 2022
Centro Multimeios - Sala Polivalente
PNA/CINANIMA Digital Cultural Backpack Film-debate #LINGO
The challenge of growing in the age of social media
This initiative between CINANIMA and the National Arts Plan (PNA) will include a screening and study of the film #Lingo by Vicente Nir (Daniel Vicente Roque), which will serve as the backdrop for a discussion on “The Challenge of Growing Up in the Age of Social Networks.” This session invites all secondary and high school students to think on their reliance on social media.
Helena Teixeira da Silva, a journalist, is going to moderate the debate, which will include:
– Daniel Roque – Director of the short film #LINGO/Animator and Illustrator
– Diana Alves – University Professor/Clinical Psychologist
– José Alberto Rodrigues – University Professor/Member of CINANIMA
– Students from schools in Espinho
One of the projects we have developed for people who want to enhance their understanding of animation film is the presentation of the RE:ANIMA master’s course. This presentation will include a conversation on the various views for the future of animation education in Europe, in addition to the presentation of this master’s curriculum. Geert Van Goethem, João Miguel Real, Paulo Viveiros, and Steve Malliet will be among the panellists.
Expanded Animation – From Performative Animation to Virtual Reality Animation
Trainer: Luís Leite
This training workshop seeks to promote dialogue and critical thinking about the representation of patterns and stereotypes in animated film, with the creation and growth of characters serving as a starting point. First, we will interpret and discuss several instances to make the group aware of the prejudices prevalent in character portrayal in popular and contemporary animated cinema. Following that, we’ll conduct a variety of drawing and illustration exercises to investigate and fight creative tendencies that perpetuate harmful or reductive stereotypes. We will demonstrate how we can study other languages and develop new meanings with the children through these tasks.
Auditorium Casino de Espinho
The Date • Jeyhun Turksoy – Azerbaijan
Rainboy • Barbara Brunner – Switzerland
Sparkle • Yulissa Garrido – Chile
Flutter • Adam Reed Levy – USA
Little Fan • Sveta Yuferova, Shad Lee Bradbury – Germany
Clowning Around • Robert Brown – United Kingdom
Swing to the Moon • Marie Bordessoule, Adriana Bouissie, Nadine De Boer, Elisa Drique , Chloé Lauzu, Vincent Levrero, Solenne Moreau – France
The Swineherd • Magnus Igland Møller, Peter Smith – Denmark
The Pack or the Herd • Luna Strmotić – Croatia
Our Piggy • Jaromír Plachý – Czech Republic
The Date • Jeyhun Turksoy – Azerbaijan
Rainboy • Barbara Brunner – Switzerland
Sparkle • Yulissa Garrido – Chile
Flutter • Adam Reed Levy – USA
Little Fan • Sveta Yuferova, Shad Lee Bradbury – Germany
Clowning Around • Robert Brown – United Kingdom
Swing to the Moon • Marie Bordessoule, Adriana Bouissie, Nadine De Boer, Elisa Drique , Chloé Lauzu, Vincent Levrero, Solenne Moreau – France
The Swineherd • Magnus Igland Møller, Peter Smith – Denmark
The Pack or the Herd • Luna Strmotić – Croatia
Our Piggy • Jaromír Plachý – Czech Republic
Buzz • Bryn Chainey, Andrew Brand – United Kingdom
Guardian • Levi Pugh – United Kingdom
Blueberry • Stephanie Glover – USA
Babies and the Bear – Summer • Maja Garmulewicz – Poland
Prinzessin Aubergine • Dina Velikovskaya – Germany
Kiwi • Karin Likar – Slovenia
Frida in the Sky • Dani Sadun – Canada
Mouse House • Timon Leder – Slovenia
Hooba • Sem Assink – Netherlands
Hi! • Narjes Mohammadi – Netherlands
All My Colours • Marc Riba, Anna Solanas – Spain
Strings Attached • Ria Shinde – USA
Swollen • Zahra Khorshidi Paji – Iran
Crab • Piotr Chmielewski – Poland
Nool • May Grosman – Israel
ROALD • Bigache Clara, Chavalle Laurent, Chene Julie, Chopinet Thibault, Gaucheron Armand, Lheureux Alexis, Prone Maxime – France
Static Focus • Jai Lawson – United Kingdom
Tender Embrace • Andrea Fabris Pascual – Canada
A Film With No Name • Siri Angvik, Mira Eiene Foust, Ida Kristine Ones – Norway
Akufeni • Lorenza Longhi, Stefano Pavolini – Italy
Barsaat • Vipin Samuel, Ashwin Syam – India
Ethel • Beatrice Jäggi – Switzerland
Nubecita • Katalin Egely – Hungary
Out of Character • Niccolò Gioia – Italy
Under the Endless Sky • Alexandra Dzhiganskaya – Ukraine
A Story About a Monkey, a Bear and a Caterpillar • Dashka Dementeva, Rebeka Kruus – Estonia
Lights • Jitka Nemikinsová – Czech Republic
Not a Fairy Tale • Malgorzata Rybak – Poland
SNAX • Team Snax – France
Orlando • Anne Verbeure – Belgium
Théâtre du Passage • Antonin Niclass – Switzerland
Onti • Miloš Tomić – Serbia
Zidane Roulette • Emy Mirel Ivasca – Romania
Breaking the Ice • Tara Klepac – Croatia
LOADED HASH PIPE • Kamil Wójcik – Poland
The Big BIG Hug • Iria Lopez – United Kingdom
A Close Shave • Zuzanna Zofia Heller – Poland
Feed Me with Love or Hate • Dalmiro Buigues, Martin Dasnoy – Argentina
Documents of Life • Sophia (Sumin) Mok – Canada
Longing for Green • Pu Yancun – China
Luknje/Holes • Sofiya Kruglikova – Slovenia
Williwaw • Madison Banks, Justin Haggard – USA
So Far So Good • Nina Chubinishvili – Georgia
In a Funk • Eloise Lohrey – Australia
Jamais Vu • Katerina Constantinou, Maria Panayi, Eleftheria Papadopoulou – Cyprus
The Final Nail In The Coffin • Conor Kehelly – Ireland
The Spark Within • Michael Grech – Malta
Breaza – The Legend of the Stained Woman • Eugen Munteanu – Romania
Kendila • Nadia Rais – Tunisia
International Grand Panorama “Singularity in Diversity ”
For the Record
Gwenola Heck, Gregor Wittich, Ilya Lorenz Barrett | Germany | 00:05:27 | 2022
Oliver the Giant
Júlia Lantos | Hungary | 00:08:14 | 2023
Peacock Inn
Dorotea Radušić | Croatia | 00:06:06
White Butterflies
Shuangshuang, Jara García de Viedma | Spain | 00:05:00 | 2022
From The Top
Rich Farris | United Kingdom | 00:08:14 | 2023
Blue Letter
Nina Skriabina | United Kingdom | 00:02:57 | 2023
Hound
Lauri Ketonen | Finland | 00:14:35 | 2023
It’s just a whole
Bianca Scali | Germany | 00:10:37 | 2023
Fish in the Bus
Yulin Yue | China | 00:04:41 | 2022
My mother at sea
Aspasia Kazeli | Estonia | 00:06:01
Piscina Solário Atlântico
FORMAnimada is a meeting open to anybody who is interested in the junction of animation film and education, and who wants to use animation cinema as a pedagogical and creative instrument today or in the future.
This seminar will provide an opportunity to share approaches, strategies, and expertise collected over the years about practices implemented in formal and non-formal educational contexts, with animation cinema serving as a backdrop.
Professor João Católico will moderate the meeting, which will include the following participants:
• Anilupa – Associação de Ludotecas do Porto: Fernando Saraiva
• Cine Clube de Viseu: Graça Gomes
• Casa Museu de Vilar: Abi Feijó
• CINANIMA, FRAME Project – Children F1rst : Carolina Bonzinho e Inês Costa
The Exhibition visits a century of Portuguese Animation Cinema, providing a unique perspective on its history and evolution. Through emblematic objects, such as drawings, photograms, cameras, optical devices and other artifacts, this Exhibition invites visitors to delve into the memories and records that encompass the past and present of the national animation cinema. Thematically structured, the exhibition carefully presents artifacts selected from institutional partners and CINANIMA’s collections. This is a must-see journey that unveils the wonders of Portuguese Animation Cinema, as well as the processes and techniques involved in its creation.
“Estúdio 100” constitutes the filmic part of the Exhibition and offers the viewing of films that, for various reasons, are important for the history of Portuguese Animation Cinema. It proposes a discussion about them, as in cineclubs, expecting that, in some sessions, authors may participate.
Local:
Centro Multimeios de Espinho
(Auditório) Casino de Espinho
